Making Sense of the Nonsense of Violence

  • Óscar Méndez Ayala Universidad Anáhuac, Querétaro
Keywords: art, body, feminism, performance, violence.

Abstract

This paper is a commentary of "On Violence in Art or About Violent Art", by Natalia Stengel. I argue that violence arrived at museums as consequence of our historic moment. Nevertheless, everyday violence differs from violence portrayed in artworks. Aesthetical distance in art allows a different approach to violence. The artist's intention is not only to expose the spectator to a traumatic event but to make sense out of the nonsense of violence. 

References

Abramovič, M. (Diciembre 22, 2015). An Art Made of Trust, Vulnerability and Connection. Disponible en: https://www.youtube.com/watch?v=M4so_Z9a_u0

Akers, M. (Noviembre 5, 2015). The artist is present. Disponible en: https://www.youtube.com/watch?v=6FOfFW7AjLc

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Fontcuberta, J. (2009). El Beso de Judas. Barcelona: Gustavo Gili.

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Hernández, M. (2006). “El arte contemporáneo entre la experiencia, lo antivisual y lo siniestro”. Revista Observaciones Filosóficas. Disponible en: http://www.observacionesfilosoficas.net/elartecontemporaneo.html (Marzo 20, 2016).

Sánchez, A. (1982). Textos de estética y teoría del arte. México: UNAM.

Published
2018-05-02
How to Cite
Méndez Ayala, Óscar. (2018). Making Sense of the Nonsense of Violence. Open Insight, 9(16), 35-41. https://doi.org/10.23924/oi.v9i16.214
Section
Dialógica