Making Sense of the Nonsense of Violence
Abstract
This paper is a commentary of "On Violence in Art or About Violent Art", by Natalia Stengel. I argue that violence arrived at museums as consequence of our historic moment. Nevertheless, everyday violence differs from violence portrayed in artworks. Aesthetical distance in art allows a different approach to violence. The artist's intention is not only to expose the spectator to a traumatic event but to make sense out of the nonsense of violence.References
Abramovič, M. (Diciembre 22, 2015). An Art Made of Trust, Vulnerability and Connection. Disponible en: https://www.youtube.com/watch?v=M4so_Z9a_u0
Akers, M. (Noviembre 5, 2015). The artist is present. Disponible en: https://www.youtube.com/watch?v=6FOfFW7AjLc
Baudrillard, J. (2007). El complot del arte. Buenos Aires: Amorrortu.
Baudrillard, J. (2007). Crítica de la economía política del signo. Buenos Aires: Siglo XXI.
Fontcuberta, J. (2009). El Beso de Judas. Barcelona: Gustavo Gili.
Foster, H. (2001). El retorno de lo real. Madrid: Akal.
Hernández, M. (2006). “El arte contemporáneo entre la experiencia, lo antivisual y lo siniestro”. Revista Observaciones Filosóficas. Disponible en: http://www.observacionesfilosoficas.net/elartecontemporaneo.html (Marzo 20, 2016).
Sánchez, A. (1982). Textos de estética y teoría del arte. México: UNAM.